The Wikipedia synopsis (spoiler alert):
Written by 'Johannes the Seducer', this volume illustrates how the aesthete holds the "interesting" as his highest value and how, to satisfy his voyeuristic reflections, he manipulates his situation from the boring to the interesting. He will use irony, artifice, caprice, imagination and arbitrariness to engineer poetically satisfying possibilities; he is not so much interested in the act of seduction as in willfully creating its interesting possibility.
Søren Kierkegaard from the Diary of a Seducer:
I once knew of a girl whose story forms the substance of the diary. Whether he has seduced others I do not know... we learn of his desire for something altogether arbitrary. With the help of his mental gifts he knew how to tempt a girl to draw her to him without caring to possess her in any stricter sense.
I can imagine him able to bring a girl to the point where he was sure she would sacrifice all then he would leave without a word let a lone a declaration a promise.
The unhappy girl would retain the consciousness of it with double bitterness because there was not the slightest thing she could appeal to. She could only be constantly tossed about in a terrible witches' dance at one moment reproaching herself forgiving him at another reproaching him and then since the relationship would only have been actual in a figurative sense she would constantly have to contend with the doubt that the whole thing might only have been an imagination.
I also like this idea of people loving, but loving in two entirely different ways. Consequently, although neither is lying or otherwise misrepresenting themselves, there is still a gross misunderstanding:
The tragic is that the two lovers don't understand each other; the comic is that two who do not understand each other love each other. That such a thing can happen is not inconceivable, for erotic love itself has its dialectic, and even if it were unprecedented, the construction, of course, has the absolute power to construct imaginatively. When the heterogeneous is sustained the way I have sustained it, then both parties are right in saying that they love. Love itself has an ethical and an esthetic element. She declares that she loves and has the esthetic element and understands it esthetically; he says that he loves and understands it ethically. Hence they both love and love each other, but nevertheless it is a misunderstanding.
Written by 'Johannes the Seducer', this volume illustrates how the aesthete holds the "interesting" as his highest value and how, to satisfy his voyeuristic reflections, he manipulates his situation from the boring to the interesting. He will use irony, artifice, caprice, imagination and arbitrariness to engineer poetically satisfying possibilities; he is not so much interested in the act of seduction as in willfully creating its interesting possibility.
Søren Kierkegaard from the Diary of a Seducer:
I once knew of a girl whose story forms the substance of the diary. Whether he has seduced others I do not know... we learn of his desire for something altogether arbitrary. With the help of his mental gifts he knew how to tempt a girl to draw her to him without caring to possess her in any stricter sense.
I can imagine him able to bring a girl to the point where he was sure she would sacrifice all then he would leave without a word let a lone a declaration a promise.
The unhappy girl would retain the consciousness of it with double bitterness because there was not the slightest thing she could appeal to. She could only be constantly tossed about in a terrible witches' dance at one moment reproaching herself forgiving him at another reproaching him and then since the relationship would only have been actual in a figurative sense she would constantly have to contend with the doubt that the whole thing might only have been an imagination.
I also like this idea of people loving, but loving in two entirely different ways. Consequently, although neither is lying or otherwise misrepresenting themselves, there is still a gross misunderstanding:
The tragic is that the two lovers don't understand each other; the comic is that two who do not understand each other love each other. That such a thing can happen is not inconceivable, for erotic love itself has its dialectic, and even if it were unprecedented, the construction, of course, has the absolute power to construct imaginatively. When the heterogeneous is sustained the way I have sustained it, then both parties are right in saying that they love. Love itself has an ethical and an esthetic element. She declares that she loves and has the esthetic element and understands it esthetically; he says that he loves and understands it ethically. Hence they both love and love each other, but nevertheless it is a misunderstanding.
