Sunday, March 2, 2014

Sociopath quote: nature

"In sober truth, nearly all the things which men are hanged or imprisoned for doing to one another, are Nature's every day performances. Killing, the most criminal act recognized by human nature, Nature does once to every being that lives; and in a large proportion of cases, after protracted tortures such as the greatest monsters whom we read of ever purposely inflicted on their fellow creatures... All this, Nature does with the most supercilious disregard both of mercy and of justice, emptying her shafts upon the best and noblest indifferently with the meanest and worst; upon those who are engaged in the highest and worthiest enterprises, and often as the direct consequence of the noblest acts...
I will call no being good, who is not what I mean when I apply that epithet to my fellow creatures; and if such a being can sentence me to hell for not so calling him, to hell I will go."

John Stuart Mill

Saturday, March 1, 2014

Mental illness for children: Disney's Frozen

I have nieces that are obsessed with the Disney movie Frozen. I haven't actually seen it yet, but they have explained to me the entire plot and I have probably heard them belting out the Let it Go song a couple dozen times. The song is sung by Elsa, the older sister of Anna. Elsa was born different, had special powers that she didn't understand or know how to control. A primary plot point of the movie is watching how Elsa learns to how to become her best self.


Since I am Mormon, I've been also been exposed to the "controversy" of how this movie promotes the "gay agenda" by encouraging children to identify as being gay, which has been hilarious. But, as my sister said "I think it's actually about sociopaths," tongue in cheek. Not surprisingly, however, many people have made serious parallels to mental illness, particularly bipolar disorder:

Disney released a new movie called “Frozen” last month, and in doing so, has provided us all the chance to begin cultivating awareness. The movie showcases two main characters — sisters, Anna and Elsa. Anna is a warm, charismatic social butterfly; her sister Elsa, bourn of a darker nature, and though wildly charismatic too, grows up to be more cold and emotionally withdrawn. These two characters symbolize the conflicting dual-nature of my manic/depressive personality — manifesting the ongoing struggle always, to overcome the great force of inner darkness so that my inner warmth and goodness can shine on through.

Why is this such a big deal for children to have this sort of role model for mental health awareness?

For me, Elsa is an important character not just because she needs to learn to accept herself the way she is, but because the writers show through her just how devastating and terrifying it is to fear your own soul. There is no terror and sadness like that of thinking you are bad and you do not want to be. It leads to a type of self-sacrifice that actually makes you unable to heal. On accident, Elsa's parents taught her to be afraid of herself and the only way to protect others was to sacrifice herself. So she shut herself off from the world, becomes filled with fear, and she never knows love and belonging.

Many people can relate to this archetype, especially people who have been physically or emotionally abused who were told they deserved the abuse because they were "bad" and that if they were just a good person then they would not get hurt. I am glad we finally have a character in mainstream media that shows how trauma can effect you and that bad behavior does not mean you are a bad person. (Which is why I love Elphaba from Wicked and the Beast from Beauty and the Beast.) My son says the most important line in the movie is in the song "Fixer Upper" that the trolls sing where they say: "People make bad choices if they're mad or scared or stressed." For some people if they are scared enough, even their ability to make a choice is taken away from them. I feel like this scene from the movie best shows Elsa's fear and how much she wants to never hurt anyone.

And these types of stories are one of the best ways to introduce children to these sorts of concepts, to teach them that there is nothing evil or insurmountable about mental illness, in themselves or in others. From G. K. Chesterton:

Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.

Friday, February 28, 2014

Sociopaths in media: Collateral


From a reader:
I loved the movie Collateral, starring Tom Cruise as Vincent the hitman and Jamie Foxx as the largely hapless cab driver, particularly this clip. Here’s the set up: Maxx is a cab driver with dreams of owning his own limo service. He’s been driving his taxi for 12 years, telling himself all the while that he is planning and saving money, awaiting the perfect time to start his own business. When Vincent gets into the backseat of his cab, Maxx assumes he’s just another fare. He is of course dead wrong. Vincent forces Maxx to act as his driver, ferrying him to various locations around LA to kill everyone on his to-do list.
In this scene, Vincent and Maxx have just escaped a hectic shoot out at a nightclub. Vincent has killed the 4th of the 5 victims on his hit list and Maxx attempted to escape during the melee with the help of detective Fanning. Just when it seemed as if Maxx and Fanning would make it, Vincent shoots the detective, thinking he was doing Maxx a favor. As you will see, Maxx has an epiphany of sorts after being confronted with Vincent’s harsh but truthful views.

I really liked this movie. The performances were terrific. Contrasting Fox’s passive everyman with Cruise’s uber disciplined sociopath made for a thematically interesting dynamic. The scene was, in a nutshell, an insightful look at how sociopaths see empaths better than they see themselves. I wonder though, is Vincent really a sociopath or is his career choice simply an inevitable result of his philosophical nihilism? Not that it matters to any of his victims.

Thursday, February 27, 2014

More on flexible sense of self (part 2)

I was once in a forest of extremely tall trees. They were centuries old, and most of them looked majestic but some of them looked odd because they were growing in such an awkward position. Some were growing in the middle of a rock, maybe, with roots stretched out over the rock, or on the edge of a cliff, roots all exposed. Probably it was not smart for these trees to choose to grow in those locations, but of course trees do not know any better. They do not have eyes. They do not even have the ability to choose where they grow. They're just growing blind. They don't know what they look like or understand even what they're supposed to look like. All they do is encounter the world and adapt  -- blindly, but in the only way they know how. It reminded me of this Annemarie Roeper quote from her book "The 'I' of the Beholder"

You have your own agenda, your inner mandate. This mandate originates from all sorts of sources. It moves in all sorts of directions but functions as a unit. It becomes a life force. You are destined to grow a certain way, as is the flower and all living beings. Sometimes flowers persist in growing even between hard rocks. Their life force can compel them to grow in unexpected places, but they cannot grow well if they aren’t nurtured. Sometimes they get crippled and unhappy and cannot grow much. But other times, persistent strength may move the rock out of their way.

This is exactly the fate of human Selves when they encounter the world outside. They must follow their agenda. So, yes, there is a plot, but the course of this plot is not predictable, because we don’t know how interaction with the world changes its course. It is the greatest drama in the world.

Sometimes I look at my Down Syndrome relatives and try to imagine what they would look like with identical genetics but without the extra chromosome. Do people wonder that? Who would I be if I were raised in some primitive culture on an island somewhere? Or raised by actual wolves? I always ask my musician friends whether they think they would have stuck with it as much or even gone farther if they had just chosen a different instrument to play. It's sort of odd to me, these people who have a very strong sense of self. Do they not feel the arbitrariness of that self like I do?

Wednesday, February 26, 2014

More on flexible sense of self (part 1)

I used to be terrible at writing. I got terrible marks on it in school, but I never understood what I was doing wrong. In high school I got by having my mother read my papers and edit them. Sometimes she would ask, "you're actually learning something from this, aren't you? I'm not just doing your work for you?" And I would say yes, but I wasn't. It wasn't trying to shirk, I just honestly didn't understand or value it enough to learn. In college I just got bad grades in paper classes, so I avoided them. I stayed terrible into law school, where I learned a highly technical version of writing that finally made some sense to me. I even became an editor, but I still struggled. Only recently have felt like I finally understand writing to the point where I can recognize how/when my writing is flawed. It's been really crazy to have the book published. It feels sort of like maybe having a stutter all of my life and then becoming an opera singer out of the blue. Now I sometimes edit my brother's papers that he is trying to get published. His writing is terrible in all of the same ways that mine still inclines and so I often have the chance to reflect on how much my writing has changed.

I've had other similar experiences. Becoming self-aware of who I am (manipulative, ruthless, unempathetic, etc.) was a watershed moment. I even used to be terrible at music, particularly jazz improvisation, until one day it just clicked and I can play solos over any sort of chord changes. Again, both of these changes were huge. It's as if one day I woke up being able to slam dunk a basketball or run a five minute mile. And I worked for all of it, but there was some sort of cognitive block keeping me from really internalizing the concepts until suddenly there wasn't.

In some ways I guess this is why I am so bullish on the possibility of living my life one way and then finally discovering a new way to live. It's one of the hidden benefits from having a weak sense of self --  there's not that much of an attachment to who I currently am. Maybe one day I will have changed so much that I no longer identify as a sociopath? Because even that identification did not really come from within, but from seeing the way people reacted to me -- their expectations of me and the way that I met, failed, or exceeded those expectations. I liked this quote from Annemarie Roeper about this from her book "The 'I' of the Beholder":

We don’t really understand our Selves or what life is. It is a mystery, and this fact is hard to accept. Humankind has developed many theories about you and believes they are facts, but in the end, all we can see is your behavior, your reactions to the world around you, and the world’s reaction to you.

So not only are we constantly changing (and have such an incredible ability to change), but our sense of self changes as the world changes, and consequently our reactions to the world and the world's reaction to us. I wonder what most sociopaths would look like if the world's reaction to us were more positive.
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