A lot of readers have been telling me that I should read the book Blindsight, by Peter Watts--that it is very topical. I just started reading it. It's available for free here. Here is one reader's review:
Author and biologist Peter Watts contributed Blindsight to the body of hard sci-fi fiction in 2006, with the intention of simultaneously exploring and criticising themes of consciousness and the perception of the sociopath as monsterous inhuman. The reason why Watts and Blindsight are of interest here, are the most memorable creations in Blindsight, the flesh-and-blood hominid vampires Homo sapiens vampirensis. Drawing his inspiration from the modern Gothic image of the vampire as a pallid sociopathic human, Watts has created an alternative evolutionary timeline in which modern humans formerly co-existed and interbred with a previously extinct subspecies of ancient hominid predators possessing the biological traits that inspired the folktales about vampires around the world.
Within the Rifters universe, the existence of sociopathy among humans is explained as the re-emergence of this ancient phenotype in exceptional human individuals, and paleogeneticists working with the 'blood of sociopaths' have been able to recreate this ancient, super-powered species that takes on and exaggerates the characteristics of clinical psychopathy.
Although the vampire Jukka Sarasti is on the one hand presented as a predatory beast, Watts also stresses not the human nature of the vampire, but the vampiric nature of the human crew that makes humns uneasy about vampire – in the Rifters universe, nobody travels past Jupiter without having vampire subroutines inserted into their human DNA in order to allow the 'undead' state.
"Empathy for sociopaths isn't common," I remarked
"Maybe it should be. We, at least—" he waved an arm; some remote-linked sensor cluster across the simulator whirred and torqued reflexively— "chose the add-ons. Vampires had to be sociopaths. They're too much like their own prey — a lot of taxonomists don't even consider them a subspecies, you know that? Never diverged far enough for complete reproductive isolation. So maybe they're more syndrome than race. Just a bunch of obligate cannibals with a consistent set of deformities."
"And how does that make—"
"If the only thing you can eat is your own kind, empathy is gonna be the first thing that goes. Psychopathy's no disorder in those shoes, eh? Just a survival strategy. But they still make our skin crawl, so we—chain 'em up."
Although Jukka Sarasti remains a brooding presence on board the Theseus, throughout Blindsight the author uses his human characters to describe Jukka's behaiour and thoughts in an atypically sympathetic way for fiction.
"Anyway, I just think he's—cut off." A nervous tic tugged at the corner of Szpindel's mouth. "Lone wolf, nothing but sheep for company. Wouldn't you feel lonely?"
"They don't like company," I reminded him. You didn't put vampires of the same sex together, not unless you were taking bets on a bloodbath. They were solitary hunters and very territorial. With a minimum viable pred-prey ratio of one to ten — and human prey spread so sparsely across the Pleistocene landscape — the biggest threat to their survival had been competition from their own kind. Natural selection had never taught them to play nicely together.
That didn't cut any ice with Szpindel, though. "Doesn't mean he can't be lonely," he insisted. "Just means he can't fix it."
[...] "You asked about Sarasti. Smart man. Strong Leader. Maybe could spend a little more time with the troops."
Vampire doesn't respect his command. Doesn't listen to advice.
Hides away half the time.
I remembered transient killer whales. "Maybe he's being considerate." He knows he makes us nervous.
"I'm sure that's it," Bates said.
"Vampire doesn't trust himself."
And finally, Watts dares to shatter what is a taboo nowadays – to question the value of empathy. For anyone interested in unusual fictional portrayals of psychopathic characters, or interesting psychological themes in general, I'm sure you'll find that Blindsight is well worth a look.
"That, too, had slipped out before I could stop it—and after that came the flood: "You put so much fucking stock in that. You and your empathy. And maybe I am just some kind of imposter but most people would swear I'd worn their very souls. I don't need that shit, you don't have to feel motives to deduce them, it's better if you can't, it keeps you—"
"Dispassionate?" Cunningham smiled faintly. "Maybe your empathy's just a comforting lie, you ever think of that?
Maybe you think you know how the other person feels but you're only feeling yourself, maybe you're even worse than me. Or maybe we're all just guessing. Maybe the only difference is that I don't lie to myself about it."
Author and biologist Peter Watts contributed Blindsight to the body of hard sci-fi fiction in 2006, with the intention of simultaneously exploring and criticising themes of consciousness and the perception of the sociopath as monsterous inhuman. The reason why Watts and Blindsight are of interest here, are the most memorable creations in Blindsight, the flesh-and-blood hominid vampires Homo sapiens vampirensis. Drawing his inspiration from the modern Gothic image of the vampire as a pallid sociopathic human, Watts has created an alternative evolutionary timeline in which modern humans formerly co-existed and interbred with a previously extinct subspecies of ancient hominid predators possessing the biological traits that inspired the folktales about vampires around the world.
Within the Rifters universe, the existence of sociopathy among humans is explained as the re-emergence of this ancient phenotype in exceptional human individuals, and paleogeneticists working with the 'blood of sociopaths' have been able to recreate this ancient, super-powered species that takes on and exaggerates the characteristics of clinical psychopathy.
Although the vampire Jukka Sarasti is on the one hand presented as a predatory beast, Watts also stresses not the human nature of the vampire, but the vampiric nature of the human crew that makes humns uneasy about vampire – in the Rifters universe, nobody travels past Jupiter without having vampire subroutines inserted into their human DNA in order to allow the 'undead' state.
"Empathy for sociopaths isn't common," I remarked
"Maybe it should be. We, at least—" he waved an arm; some remote-linked sensor cluster across the simulator whirred and torqued reflexively— "chose the add-ons. Vampires had to be sociopaths. They're too much like their own prey — a lot of taxonomists don't even consider them a subspecies, you know that? Never diverged far enough for complete reproductive isolation. So maybe they're more syndrome than race. Just a bunch of obligate cannibals with a consistent set of deformities."
"And how does that make—"
"If the only thing you can eat is your own kind, empathy is gonna be the first thing that goes. Psychopathy's no disorder in those shoes, eh? Just a survival strategy. But they still make our skin crawl, so we—chain 'em up."
Although Jukka Sarasti remains a brooding presence on board the Theseus, throughout Blindsight the author uses his human characters to describe Jukka's behaiour and thoughts in an atypically sympathetic way for fiction.
"Anyway, I just think he's—cut off." A nervous tic tugged at the corner of Szpindel's mouth. "Lone wolf, nothing but sheep for company. Wouldn't you feel lonely?"
"They don't like company," I reminded him. You didn't put vampires of the same sex together, not unless you were taking bets on a bloodbath. They were solitary hunters and very territorial. With a minimum viable pred-prey ratio of one to ten — and human prey spread so sparsely across the Pleistocene landscape — the biggest threat to their survival had been competition from their own kind. Natural selection had never taught them to play nicely together.
That didn't cut any ice with Szpindel, though. "Doesn't mean he can't be lonely," he insisted. "Just means he can't fix it."
[...] "You asked about Sarasti. Smart man. Strong Leader. Maybe could spend a little more time with the troops."
Vampire doesn't respect his command. Doesn't listen to advice.
Hides away half the time.
I remembered transient killer whales. "Maybe he's being considerate." He knows he makes us nervous.
"I'm sure that's it," Bates said.
"Vampire doesn't trust himself."
And finally, Watts dares to shatter what is a taboo nowadays – to question the value of empathy. For anyone interested in unusual fictional portrayals of psychopathic characters, or interesting psychological themes in general, I'm sure you'll find that Blindsight is well worth a look.
"That, too, had slipped out before I could stop it—and after that came the flood: "You put so much fucking stock in that. You and your empathy. And maybe I am just some kind of imposter but most people would swear I'd worn their very souls. I don't need that shit, you don't have to feel motives to deduce them, it's better if you can't, it keeps you—"
"Dispassionate?" Cunningham smiled faintly. "Maybe your empathy's just a comforting lie, you ever think of that?
Maybe you think you know how the other person feels but you're only feeling yourself, maybe you're even worse than me. Or maybe we're all just guessing. Maybe the only difference is that I don't lie to myself about it."