Thursday, May 27, 2010

Sociopaths on television: Breaking Bad

Our time is now (!), as suggested by this review of "Breaking Bad":
When, and why, did American television and cinema viewers first fall in love with the Sociopath protagonist? Perhaps the audience was always there, nascent and ready to be born. My current favorite Sociopath television show is AMC’s Breaking Bad, the story of an ordinary, albeit resentful and self-loathing, married man who breaks out of his bourgeois cocoon to become a Methamphetamine dealer. His bourgeois name is the aptly constructed “Walter White,” representing the plain vanilla nature of his high school Chemistry teacher life in small town New Mexico. His alter ego name is “Heisenberg” (after Nobel winning German physicist Werner Heisenberg), chosen by White, to represent his genius in making the purest and best “Meth” ever seen in the Southwest and Mexico.

I think Coppola’s Godfather series created the modern heroic Sociopath. We rooted for Brando’s and Pacino’s characters, although Michael Corleone became unlikable by the end of Godfather II. Coppola was the first to romanticize the familiar character of the gangster in movies. But Quentin Tarantino perfected the generalized concept of the protagonist Sociopath. His breakout film was, of course, Pulp Fiction, a so-called dark comedy with such a wide variety of watchable sociopaths one could probably make a television series around virtually every major character in the film. In fact, the two strands of modern Sociopathic television and films can be plausibly traced to either Coppola or Tarantino. In the organized crime motif, for example, there is of course The Sopranos and the unfortunately canceled series Brotherhood. But shows like Dexter and Breaking Bad are in the dark comedy mode consistent with Tarantino’s sensibility.

Breaking Bad has 2 million viewers. Stuck on AMC (I have 150 HD channels but AMC is not one of them) this is a pretty big audience. Going back to my opening question, why are these shows appealing? For me, the theme was repulsive. Then I watched it. I root for Heisenberg/White, even though he has been directly and indirectly responsible for many deaths. In real life I would want him dead yesterday. But in my sometimes fantasy life, I somehow identify with him. What’s that all about? Maybe “between the dust and love that hangs on everybody, there is a dead man trying to get out.” Or a Sociopath.

Wednesday, May 26, 2010

Imposter

The problem with that kid who faked his way into Harvard was that he took it one step too far. Adam Wheeler allegedly forged several documents to get admitted to Harvard, including straight-A transcripts from MIT and a prestigious prep school. While he was there, he collected tens of thousands of dollars in scholarships and grants. Adam was eventually caught when he applied for the prestigious Rhodes and Fulbright fellowships, using a fake transcript and plagiarized research. A professor he asked for a recommendation from noticed some similarities between Adam’s article and that of another Harvard professor, and that was it for Adam.

Many have noted that Adam would have gotten away with it if he had taken the degree and ran. Probably. Lying is very difficult to pull off flawlessly, particularly a continuing lie, such as pretending to be something or somebody that you aren't. Those lies are like being in the mafia. It can be great at the time, good experience, above average pay, but eventually you want to get out before you get caught or killed.

Some say that this Adam kid got greedy. They say that a lot about con men and habitual bank robbers too. I don't really think that is the issue for a lot of them, though. I think for a lot of people with a lifestyle outside of the law, it is the lifestyle itself that attracts them. Either they want the constant thrill, or there is no legitimate outlet for their particular skills and they'd hate to see their talents go to waste. Or they just don't know any different, or in my case, a little of all three. I have gone too far myself. Eventually you get tired or lazy or sloppy, you make a mistake, and depending who is around to see it, it could be a disaster. Luckily most of my slip ups have been relatively private. But it's sort of a but-for-the-grace-of-god type situation.

Tuesday, May 25, 2010

Top 10 secrets of effective liars

Good advice from a Psychology Today blogger:
As I've written earlier, human beings have an innate skill at dishonesty. And with good reason: being able to manipulate the expectations of those around us is a key survival trait for social animals like ourselves. Indeed, a 1999 study by psychologist Robert Feldman at the University of Massachusetts showed that the most popular kids were also the most effective liars. Just because our aptitude is hardwired doesn't mean it can't improve with practice and skill. Here are ten techniques that top-notch liars use to maximize their effectiveness. (By the way, this information is offered as a way to help detect deceit in others, not to practice it yourself. Honestly!)

#1 Have a reason. "Prisons are filled with bad liars," says psychologist Charles Ford, author of the book Lies! Lies! Lies!. "The good liars are out running HMOs." So what's the big difference? Basically, says Ford, the trick is to lie as little as possible - only when you actually have something to gain. "Pathological liars can't stop themselves from lying, so they tell a lot of little lies and wind up getting caught," he says. Truly expert fabricators, on the other hand, save their ammunition - they don't bother to lie unless it's going to get them something they really want.

#2 Lay your groundwork. Don't wait until you're under the interrogation lamp to start putting your story together. A 1990 study by psychologist Bill Flanagan showed that liars who had worked out the details of their stories beforehand had significantly more success than those who hadn't. As in everything, practice makes perfect. "It's easier to catch someone in lie the first time they tell it," says psychologist Dr. Cynthia Cohen

#3 Tell the truth, misleadingly. The hardest lies to catch are those which aren't actually lies. You're telling the truth, but in a way that leaves a false impression. Technically, it's only a prevarication - about half a sin. A 1990 study of pathological liars in New York City found that those who could avoid follow-up questions were significantly more successful at their deceptions.

#4 Know your target. Good liars have the same gift as good communicators: the ability to get inside the listener's head. Empathy not only clues you in to what your subject wants to hear, it will help you avoid stepping onto trip wires that will trigger their suspicions. "To make a credible lie, you need to take into account the perspective of your target," says Carolyn Saarni, co-editor of the book Lying and Deception in Everyday Life. "Know what they know. Be aware of their interests and activities so you can cover your tracks."

#5 Keep your facts straight. "One of the problems of successful lying is that it's hard work," says psychologist Michael Lewis. "You have to be very consistent in doing it." That means nailing down the details. Write down notes if you have to. "One of the things that trips people up is that they give different information to different people, who then start talking about it and comparing notes," says Dr. Gini Graham Scott, author of The Truth About Lying.

#6 Stay focused. "When I'm trying to catch a liar, I watch to see how committed they are to what they're telling me," says Sgt. John Yarbrough, interrogation expert with the LA Sheriff Department's homicide bureau. "If I accuse someone of lying, and they're not very committed to the statement they just made, a red flag goes up." One of the reasons most people make bad liars is that they find lying a deeply unpleasant activity. Fear and guilt are evident in their facial expressions. They want to get the process over as quickly as possible, so they show relief when their interrogator changes the topic. That's a dead giveaway. Really good liars, on the other hand, actually enjoy the process of deceiving other people. "The best liars don't show any shame or remorse because they don't feel it," says Cohen. "They get a thrill out of actively misleading others. They're good at it, and they enjoy the challenge."

#7: Watch your signals. It's folk wisdom that people fidget, touch their noses, stutter, and break eye contact when they lie - the proverbial "shifty-eyed" look. But research has shown that just isn't so. In his 1999 study of high school students, Feldman found that nonverbal signals were crucial in determining who got away with telling lies. "The successful kinds were better at controlling their nonverbal signals, things like the the amount of eye contact and how much they gestured," he says.

#8: Turn up the pressure. If your target has clearly become suspicious, it's time to raise the emotional stakes. "The best liars are natural manipulators," says Sgt. Yarbrough. He cites as a perfect example the scene in Basic Instinct where Sharon Stone is brought to the cop station for questioning and winds up flashing everyone a glimpse of her Lesser Antilles. "She was turning them on," Yarbrough explains, "and that's a form of manipulation - using sexual or emotional arousal to distract the interviewer."

#9: Counterattack. The fact is, just as most of us are uncomfortable telling lies, most are uncomfortable accusing others. This discomfort can be used in the liar's favor. "You'll often see politicians respond to accusations with aggression," says Stan Walters, author of The Truth About Lying: Everyday Techniques for Dealing with Deception. "What they'll do is drive critics away from the issue, so they're forced to gather up their resources to fight another scrimmage."

#10: Bargain. Even when the jig is up, liars can often escape the worst by using a process psychologists call bargaining. "You want to soften, alleviate, or totally eliminate feelings of responsibility for the lie," explains researcher Mary DePalma. "If you can decrease responsibility for blame and the anger that goes with it, you're really looking at a much better outcome."

Monday, May 24, 2010

An empathy exercise

A lot of the empathy-challenged have expressed an ability to "imagine" what it would feel like to be another person going through a particular situation. I was explaining this to someone and they asked -- isn't this empathy? If it is, then I guess I'm an empath too. But first let me describe what it feels like using an unusual analogy that I hope works.

Imagine that you are having sex with someone. Better yet, imagine that you are engaged in foreplay, attempting to stimulate a reluctant lover. This is your first time. You have been on an island, grown up there alone, and one day another island dweller like yourself appears. Your experience so far has been auto arousal. You are very familiar with the ins and outs of your own equipment but have had no other exposure to sex other than what you have seen in wildlife. As you attempt to elicit a reaction from your partner, you think of everything you like to do to yourself and try that first. The more similar your partner is to you, the more accurate and effective your actions will be. But what if your partner's equipment looks nothing like your own? In that situation, the best you could do is extrapolate from your own experiences to imagine what it might feel if you had equipment more like your partner's, and act accordingly.

The process may seem very artificial to you at first, like when you scratch a part of your skin that has been numbed by anesthesia and feel only the scratching, not the being scratched. But the more similar the situation is to something you have experienced yourself, the more you can rely on your own personal experiences. Even if the other person is rather different from you, if you have done a decent job data-mining them you should be able to come up with a relatively accurate picture of them. And just like with the sex analogy, you would be getting positive or negative feedback indicating whether you are on target. If you engage in this imaginative exercise enough you can get quite good at it, the same way a professional pianist is not born with the ability to play, but can make it seem like he was with the ease with which he manipulates the keys. As I tell my loved ones all the time -- I don't understand you, but I can predict you very well.

If this is empathy, then I feel empathy. If empathy involves some automatic response to the emotions of another, though, or vicariously experiencing the emotions of another, then probably not. I don't feel vicariously what another feels any more than I vicariously feel the pleasure that I give someone else. Or maybe empaths don't feel empathy either. Maybe they think they are feeling what another feels, but really they are just projecting their own emotions on another.

Rejoinders, empaths?

Friday, May 21, 2010

Sociopaths in film

Adapted from the novel of the same name, this review of the film:
While there exists a long and rich cinematic fascination with murderous psychotics, first person accounts are less common, and generally less agreeable to audiences (indeed, the seminal Peeping Tom effectively demolished Michael Powell’s career). After all, if the sociopath is freakishly and essentially devoid of sympathy and empathy, how are we to identify with them? The answer, in this case, is to disregard the question entirely: identification is irrelevant and impossible — we must simply find the character charismatic and watchable. This places a tremendous burden on Affleck’s shoulders, and he ably meets it — his performance is brilliant, affirming once again that he is one of the most underrated American screen actors of our time. Effortlessly underplaying a role that would tempt most actors to over-act, he modulates his expressions and physical demeanor to match, chillingly, the accounts of certain real-life sociopaths we know from the news: charming, and blandly — almost vacantly — handsome.

Told from the express point of view of a psychotic, The Killer Inside Me, with its remorseless displays of violence, is necessarily divisive. Lack of character development is a valid complaint, and indeed, flashbacks to Ford’s childhood psychosexual experiences are likely red herrings, seemingly providing no meaningful answers. Yet this is exactly what the subject matter calls for: lacking ordinary humanity, the protagonist has no “character,” as we know it. There is no explaining, no understanding. Thus, that which may well disgust certain viewers is exactly what makes The Killer Inside Me a terrifying yet ultimately compelling film.
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