I recently watched The Killer Inside Me. Casey Affleck plays a sheriff's deputy psychopathic killer with a "sickness" that seeks to break free. It's not the best portrayal of a psychopath I have seen, in fact it's a little hackneyed. I wonder if the book was any better in this regard, according to Stanley Kubrick "Probably the most chilling and believable first-person story of a criminally warped mind I have ever encountered." There are a couple interesting reasons to watch the film, though.
The movie has a somewhat unique brand of indiscriminate killings. The method and mode of the killings appear unfathomable, presumably because there is some self-delusion or insanity going on in the mind of the killer, but it's never made explicit. He convinces himself that he needs to kill these people, that it is the only thing to do and the facts support his conclusions to a certain extent but not quite. The audience is left thinking, "I can sort of see why he did that, but it also seems like a mistake."
This is unlike either most horror films where the killings are unapologetically senseless or crime dramas where the killings are unapologetically telelogical. The resulting depictions of killing are all the more disturbing because of this aspect -- you wonder whether he isn't jumping to conclusions, doing something that he may regret when he finds out the real facts. It reminds me of the same horrific self-justifications in Boxing Helena that leads the protagonist to perform amputations on the object of his obsession. People who think rationally, people who have not killed or maimed for pleasure watch these types of movies and squirm because they can't quite convince themselves that this could never happen to them. They know of their own powers of self-deception and think, there but for the grace of God go I.
The other fun aspect of the film's indiscriminate killings is seeing how the victims each respond. In one scene our killer is explaining the deaths of two people to a friend of his. The friend volunteers that the victims must have had it coming, to which the killer replies, "No one has it coming. That's why no one can see it coming." Indeed, because the killings are relatively unprovoked and unwarranted, none of his victims do see it coming and they all react to the killings in different ways. One moment they are self-assured, even making small demands of the killer, "not now," "get dressed," "where's the money," etc. In just a few moments they are being killed and staring up at him with not just surprise, but real disbelief. For a second you can see them wonder, "how could this possibly be happening?" as if they just saw a law of physics being violated. It makes you realize how entitled we all feel, how everyone believes that they have certain rights that will never be violated, could never be violated, chief among them being the right to life. Yet here is an individual who routinely violates those rights, with no repercussions. Some of the killings are done in such odd ways that the audience also feels disbelief, "Can you really die that way?" and you realize that the world holds many more dangers than you ever dared admit to yourself.
Best quote by the creepy Bill Pullman: "A weed is a plant out of place. I find a hollyhock in my cornfield, and it's a weed. I find it in my yard, and it's a flower. You're in my yard."
Boxing Helena:
The movie has a somewhat unique brand of indiscriminate killings. The method and mode of the killings appear unfathomable, presumably because there is some self-delusion or insanity going on in the mind of the killer, but it's never made explicit. He convinces himself that he needs to kill these people, that it is the only thing to do and the facts support his conclusions to a certain extent but not quite. The audience is left thinking, "I can sort of see why he did that, but it also seems like a mistake."
This is unlike either most horror films where the killings are unapologetically senseless or crime dramas where the killings are unapologetically telelogical. The resulting depictions of killing are all the more disturbing because of this aspect -- you wonder whether he isn't jumping to conclusions, doing something that he may regret when he finds out the real facts. It reminds me of the same horrific self-justifications in Boxing Helena that leads the protagonist to perform amputations on the object of his obsession. People who think rationally, people who have not killed or maimed for pleasure watch these types of movies and squirm because they can't quite convince themselves that this could never happen to them. They know of their own powers of self-deception and think, there but for the grace of God go I.
The other fun aspect of the film's indiscriminate killings is seeing how the victims each respond. In one scene our killer is explaining the deaths of two people to a friend of his. The friend volunteers that the victims must have had it coming, to which the killer replies, "No one has it coming. That's why no one can see it coming." Indeed, because the killings are relatively unprovoked and unwarranted, none of his victims do see it coming and they all react to the killings in different ways. One moment they are self-assured, even making small demands of the killer, "not now," "get dressed," "where's the money," etc. In just a few moments they are being killed and staring up at him with not just surprise, but real disbelief. For a second you can see them wonder, "how could this possibly be happening?" as if they just saw a law of physics being violated. It makes you realize how entitled we all feel, how everyone believes that they have certain rights that will never be violated, could never be violated, chief among them being the right to life. Yet here is an individual who routinely violates those rights, with no repercussions. Some of the killings are done in such odd ways that the audience also feels disbelief, "Can you really die that way?" and you realize that the world holds many more dangers than you ever dared admit to yourself.
Best quote by the creepy Bill Pullman: "A weed is a plant out of place. I find a hollyhock in my cornfield, and it's a weed. I find it in my yard, and it's a flower. You're in my yard."
Boxing Helena:

