This was a pretty funny description of someone messing with people for the "puerile desire to get on other people’s nerves," as she describes it (I thought only sociopaths find pleasure in messing with people?).
She describes the game thusly:
All you do is stonily deny any knowledge of a person or cultural touchstone that you should, by virtue of your other cultural reference points, be aware of. These will of course be different for everyone, but my favorites include:
Žižek, John Updike, MORRISSEY (only for experts), Radiohead, Twin Peaks, David Lynch in general, Banksy (only for streetfighters), Withnail and I, Bauhaus (movement), Bauhaus (band), Afrika Burn, the expression “garbage person,” A Clockwork Orange, Steampunk (this one is really good), Jack Kerouac, “Gilmore Girls,” Woody Allen, the expression “grammar nerd,” the expression “grammar Nazi,” cocktails, bongs, magical realism, millennials, Cards Against Humanity, trance parties, bunting, many comedians, William Gibson, burlesque, the Beats, The God Delusion, sloths, anarchism, Joy Division, CrossFit, “The Mighty Boosh,” and Fight Club.
Find someone who is crazy about Morrissey, and pretend you have no idea who that is. It drives people nuts. I don’t know why, but it does. Just kidding, I know exactly why, because I myself have been on the receiving end of the Žižek Maneuver. This girl I had a bit of a crush on told me she had never watched “Twin Peaks,” and it damn near killed me. The reason I had a crush on her in the first place is because we liked so many of the same books, and movies, and music. How could she have never watched “Twin Peaks?” Was she messing with me? How? It did not for a second occur to me that she just hadn’t got round to it. My immediate response was to believe that she had deliberately not watched it in order to get on my nerves. When she told me later that of course she had watched “Twin Peaks,” my eye started twitching.
This is the beating heart of the Žižek Game: the disbelief that something you care about has failed to register on the consciousness of another. The agony of suspecting that someone has looked at Slavoj Žižek’s Wikipedia page and thought “I do not need to know about this man.”
But I thought the most insightful observation of playing this, or really any other game or interaction with another human being, is that you can never be afraid to look stupid:
Your success in this game depends on your ability to cope with people thinking you are dumb. This is so important. Adolescent conditioning—I grew up in a city with a strong surf/skate subculture of people who like to get extremely high—means that I am not only comfortable with people thinking I am dumb, I actually lean into it. I pretend I’ve never heard of Roman Polanski all the time. I do not falter, and neither must you. Your opponent must never have the satisfaction of looking down on you. When they begin to scoff and roll their eyes, because how could you have never heard of the Weimar Republic, you must simply smile and shrug your shoulders. If you look abashed, your opponent has won.
Too true. In the law, it's hilarious to me (and looks terrible to jurors) for lawyers or witnesses to work hard backpedaling on some point in order to save face or pretend like they know what's up. I don't know why we care so much what strangers think of us, but most people do. You absolutely can exploit this. And if you can gain all sorts of situational advantages by refusing to let other people's opinions change who you are, what you are doing, or what you believe about yourself or the world. They don't call it "confidence game" for nothing. Good luck!
She describes the game thusly:
All you do is stonily deny any knowledge of a person or cultural touchstone that you should, by virtue of your other cultural reference points, be aware of. These will of course be different for everyone, but my favorites include:
Žižek, John Updike, MORRISSEY (only for experts), Radiohead, Twin Peaks, David Lynch in general, Banksy (only for streetfighters), Withnail and I, Bauhaus (movement), Bauhaus (band), Afrika Burn, the expression “garbage person,” A Clockwork Orange, Steampunk (this one is really good), Jack Kerouac, “Gilmore Girls,” Woody Allen, the expression “grammar nerd,” the expression “grammar Nazi,” cocktails, bongs, magical realism, millennials, Cards Against Humanity, trance parties, bunting, many comedians, William Gibson, burlesque, the Beats, The God Delusion, sloths, anarchism, Joy Division, CrossFit, “The Mighty Boosh,” and Fight Club.
Find someone who is crazy about Morrissey, and pretend you have no idea who that is. It drives people nuts. I don’t know why, but it does. Just kidding, I know exactly why, because I myself have been on the receiving end of the Žižek Maneuver. This girl I had a bit of a crush on told me she had never watched “Twin Peaks,” and it damn near killed me. The reason I had a crush on her in the first place is because we liked so many of the same books, and movies, and music. How could she have never watched “Twin Peaks?” Was she messing with me? How? It did not for a second occur to me that she just hadn’t got round to it. My immediate response was to believe that she had deliberately not watched it in order to get on my nerves. When she told me later that of course she had watched “Twin Peaks,” my eye started twitching.
This is the beating heart of the Žižek Game: the disbelief that something you care about has failed to register on the consciousness of another. The agony of suspecting that someone has looked at Slavoj Žižek’s Wikipedia page and thought “I do not need to know about this man.”
But I thought the most insightful observation of playing this, or really any other game or interaction with another human being, is that you can never be afraid to look stupid:
Your success in this game depends on your ability to cope with people thinking you are dumb. This is so important. Adolescent conditioning—I grew up in a city with a strong surf/skate subculture of people who like to get extremely high—means that I am not only comfortable with people thinking I am dumb, I actually lean into it. I pretend I’ve never heard of Roman Polanski all the time. I do not falter, and neither must you. Your opponent must never have the satisfaction of looking down on you. When they begin to scoff and roll their eyes, because how could you have never heard of the Weimar Republic, you must simply smile and shrug your shoulders. If you look abashed, your opponent has won.
Too true. In the law, it's hilarious to me (and looks terrible to jurors) for lawyers or witnesses to work hard backpedaling on some point in order to save face or pretend like they know what's up. I don't know why we care so much what strangers think of us, but most people do. You absolutely can exploit this. And if you can gain all sorts of situational advantages by refusing to let other people's opinions change who you are, what you are doing, or what you believe about yourself or the world. They don't call it "confidence game" for nothing. Good luck!

